{"id":4951,"date":"2012-06-20T00:02:33","date_gmt":"2012-06-19T21:02:33","guid":{"rendered":"http:\/\/patnubay.org\/?p=4951"},"modified":"2019-07-06T00:39:57","modified_gmt":"2019-07-05T21:39:57","slug":"usa-conversation-with-pearlie-rose-s-baluyut","status":"publish","type":"post","link":"https:\/\/patnubay.org\/?p=4951","title":{"rendered":"USA: Conversation with Pearlie Rose S. Baluyut"},"content":{"rendered":"<p><a href=\"http:\/\/patnubay.org\/dokumento\/wp-content\/uploads\/2012\/06\/pinoywatchdog-pearlie-rose-baluyot.png\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" class=\"alignleft size-medium wp-image-4952\" src=\"http:\/\/patnubay.org\/dokumento\/wp-content\/uploads\/2012\/06\/pinoywatchdog-pearlie-rose-baluyot-201x300.png\" alt=\"\" width=\"201\" height=\"300\" srcset=\"https:\/\/patnubay.org\/dokumento\/wp-content\/uploads\/2012\/06\/pinoywatchdog-pearlie-rose-baluyot-201x300.png 201w, https:\/\/patnubay.org\/dokumento\/wp-content\/uploads\/2012\/06\/pinoywatchdog-pearlie-rose-baluyot.png 490w\" sizes=\"(max-width: 201px) 100vw, 201px\" \/><\/a><\/p>\n<p>Words and photos by Dionesio C. Grava<br \/>\nFirst posted in&nbsp;<a href=\"http:\/\/www.pinoywatchdog.com\/2012\/06\/08\/pearlie-rose-baluyut\/\">pinoywatchdog.com<\/a><\/p>\n<p>Pearlie Rose S. Baluyut is the author of Institutions and Icons of Patronage: Arts and Culture in the Philippines during the Marcos Years, 1965-1986.<\/p>\n<p>This writer tried to make sense of the actual conversation occurring in a heavy traffic area where disruptions and noise made comprehension a bit challenging. Voices necessarily subdued on our part, not from other sources. Salabang Song in Pasadena. So, okay, comparing what I was able to catch up with the descriptive paragraph Ms. Nietes kindly provided beforehand, they appear not to be dissimilar.<!--more--><\/p>\n<p>It said that based on primary documents and interviews, Pearlie Baluyut\u2019s book seeks to understand the politics and aesthetics of Ferdinand and Imelda Marcos\u2019 rule through the Cultural Center of the Philippines, the Philippine High School for the Arts, and the National Museum of the Philippines. Rather than interpret the Marcoses\u2019 support only as political propaganda, Baluyut construes their rhetoric and gestures as a spectacular performance as patrons and icons, engendering both defiance and reverence among their constituents.<\/p>\n<p>Or a subtle way of engendering sympathies for the despots? Ms. Baluyot pointed out that Mr. Marcos had a keen understanding about election and reciprocity; about the dynamics of elections and the transforming of relationship with people as the cornerstone of politics. At least whatever they did they were not doing it during the election but after they won. Then there was a mention of negative reciprocity, an outcrop of the \u201cmay araw ka rin\u201d concept in our culture. And did she really mention that Corazon Aquino looked vengeful?<\/p>\n<p>Imelda as the patroness of art has been influenced by spectacular displays in the places she visited. Our country\u2019s cultural center, for example, is seemingly a reincarnation of New York\u2019s Lincoln Center. Personally I cannot vouch for that having not been to either. It\u2019s good that Ms. Baluyot didn\u2019t neglect to mention her extravagance to the point of impoverishing the masses and making their regime an excuse for their own aggrandizement.<\/p>\n<p>Then there was something about the creation of posters featuring singer-artist Nora Aunor and Pinay-African American Elizabeth Ramsey, the comedienne. Was it to exploit their being dark-skinned, their being heroines of the masa, Nora\u2019s short height or whatever? Not too clear about that.<\/p>\n<p>She also touched on Renaissance art and the biases of showing only those from Florence, Italy, when the fact was that the Renaissance was happening all over. In the case of the Philippines, however, we\u2019re still into that phase of defining art. What do we mean by art?<\/p>\n<p>Finally, she had to be very careful, she said, about fictionalizing or romanticizing the you know who. \u201cI am,\u201d she said, \u201cnot redeeming them but I\u2019m also not putting them down.\u201d But of course. Just tell what it is. After all it was mentioned earlier that funding for visual art has been going on since antiquity.<\/p>\n<p style=\"text-align: center\"><a href=\"http:\/\/patnubay.org\/dokumento\/wp-content\/uploads\/2012\/06\/pinoywatchdog-pearlie-rose-baluyot.png\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" class=\"aligncenter size-full wp-image-4952\" src=\"http:\/\/patnubay.org\/dokumento\/wp-content\/uploads\/2012\/06\/pinoywatchdog-pearlie-rose-baluyot.png\" alt=\"\" width=\"441\" height=\"658\" srcset=\"https:\/\/patnubay.org\/dokumento\/wp-content\/uploads\/2012\/06\/pinoywatchdog-pearlie-rose-baluyot.png 490w, https:\/\/patnubay.org\/dokumento\/wp-content\/uploads\/2012\/06\/pinoywatchdog-pearlie-rose-baluyot-201x300.png 201w\" sizes=\"(max-width: 441px) 100vw, 441px\" \/><\/a><\/p>\n<p>The other attendees were Todd Hanson, Akira Boch, Azusa Oda, Ashlea Gross, David Paraiso, Robert Little, Linda Nietes Little, Agnes Bertiz, Joseph Bernardo, Girlie Collado, Rhachel Parrenas, Ben Rosenberg and Dr. Conrad Ulpindo.<\/p>\n<p>Pearlie Rose Baluyot received her B.A., M.A., and Ph.D. in Art History at UCLA. She has taught art history, theory, and criticism at the Institute of American Universities in Aix-en-Provence, France, and other colleges and universities in the United States, including the California State University-San Bernardino, from 2006 to 2011 as Assistant Professor of Art.<\/p>\n<p>In June, she will be teaching at the University of Santo Tomas\u2019 Cultural Heritage Studies Program and conducting research on the oldest cabinet of curiosities-turned-museum in the Philippines as a Fulbright Scholar.<\/p>\n<p>The event was part of the ongoing community outreach program organized by Philippine Expressions Bookshop. For more details, visit Literally Yours, the bookshop\u2019s blog : http:\/\/?philippineexpressionsbooksh?op.wordpress.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Words and photos by Dionesio C. Grava First posted in&nbsp;pinoywatchdog.com Pearlie Rose S. Baluyut is the author of Institutions and Icons of Patronage: Arts and Culture in the Philippines during the Marcos Years, 1965-1986. This&#8230;<\/p>\n","protected":false},"author":49,"featured_media":3189,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[22,16,17,32],"tags":[84,101],"_links":{"self":[{"href":"https:\/\/patnubay.org\/index.php?rest_route=\/wp\/v2\/posts\/4951"}],"collection":[{"href":"https:\/\/patnubay.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/patnubay.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/patnubay.org\/index.php?rest_route=\/wp\/v2\/users\/49"}],"replies":[{"embeddable":true,"href":"https:\/\/patnubay.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4951"}],"version-history":[{"count":4,"href":"https:\/\/patnubay.org\/index.php?rest_route=\/wp\/v2\/posts\/4951\/revisions"}],"predecessor-version":[{"id":12636,"href":"https:\/\/patnubay.org\/index.php?rest_route=\/wp\/v2\/posts\/4951\/revisions\/12636"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/patnubay.org\/index.php?rest_route=\/wp\/v2\/media\/3189"}],"wp:attachment":[{"href":"https:\/\/patnubay.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/patnubay.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/patnubay.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}